credits of

Aloysio Raulino (1947-2013) was a Brazilian cinematographer, screenwriter and director, who worked extensively in documentary shorts. His films, mostly shot in São Paulo, are usually centered around the poverty and misery that plagues large numbers of the Brazilian population.
Release Date | Title | Job | Rating | Your Lists |
|---|---|---|---|---|
November 18th, 2011 | Corpo Presente | Director of Photography | TBD | |
November 18th, 2011 | Corpo Presente | Camera Operator | TBD | |
September 19th, 2008 | Cana Quente | Director of Photography | TBD | |
September 19th, 2008 | Cana Quente | Camera Operator | TBD | |
March 30th, 2008 | O Aborto dos Outros | Director of Photography | 7.5 | |
October 7th, 2007 | Canção de Baal | Director of Photography | 2 | |
October 7th, 2007 | Canção de Baal | Camera Operator | 2 | |
April 6th, 2007 | Cartola: The Samba Legend | Director of Photography | 7.7 | |
March 28th, 2006 | The Hills of Disorder | Director of Photography | 7.3 | |
July 16th, 2004 | Welcome to São Paulo | Director of Photography | 6 | |
January 2nd, 2003 | O Corneteiro Lopes | Director of Photography | 8 | |
June 7th, 2000 | Mário | Director of Photography | 7.1 | |
March 29th, 1995 | São Paulo South Border | Director of Photography | 6 | |
January 1st, 1995 | Sound of Steps | Director of Photography | TBD | |
June 13th, 1994 | São Paulo: Symphony and Cacophony | Director of Photography | TBD | |
January 1st, 1992 | O Palco | Director of Photography | TBD | |
April 1st, 1988 | Street Kids | Director of Photography | TBD | |
September 14th, 1987 | Vianinha | Additional Photography | 5 | |
April 8th, 1985 | Sit on Mine and I Will Enter Yours | Director of Photography | 9 | |
January 1st, 1985 | Boca Aberta | Director of Photography | TBD | |
January 1st, 1985 | Comitiva Esperança | Camera Operator | TBD | |
July 27th, 1984 | Nada Será como Antes, Nada? | Director of Photography | TBD | |
April 13th, 1984 | O Baiano Fantasma | Director of Photography | 6.5 | |
January 1st, 1983 | Frei Tito | Director of Photography | 10 | |
December 17th, 1982 | Ao Sul do Meu Corpo | Director of Photography | 4.3 | |
October 15th, 1982 | Noites Paraguayas | Director of Photography | 6 | |
May 3rd, 1982 | Linha de Montagem | Additional Photography | 7.4 | |
September 30th, 1980 | A Luta do Povo | Additional Photography | 5 | |
September 1st, 1979 | Greve | Camera Operator | TBD | |
September 1st, 1979 | Greve | Director of Photography | TBD | |
May 1st, 1979 | Trabalhadores: Presente! | Director of Photography | TBD | |
May 1st, 1979 | Trabalhadores: Presente! | Camera Operator | TBD | |
January 1st, 1978 | O Porto de Santos | Director of Photography | 4.6 | |
January 1st, 1978 | O Porto de Santos | Camera Operator | 4.6 | |
December 15th, 1975 | Cristais de Sangue | Director of Photography | 8 | |
December 15th, 1975 | Cristais de Sangue | Camera Operator | 8 | |
October 9th, 1975 | Tarumã | Director of Photography | TBD | |
October 9th, 1974 | We Shall Have a Childhood | Director of Photography | 8 | |
October 9th, 1971 | Jardim Nova Bahia | Director of Photography | 8 | |
January 1st, 1971 | São Paulo, do Café à Indústria | Director of Photography | TBD | |
April 13th, 1970 | Paulicéia Fantástica | Director of Photography | 9 | |
April 1st, 1968 | A Classic, Two Home Matches, No Away Game | Director of Photography | 6.1 | |
January 1st, 1968 | Retorna, Vencedor | Director of Photography | 1 |