credits of

Chantal Anne Akerman (June 6, 1950 – October 5, 2015) was a Belgian film director, artist and professor of film at the City College of New York. Her best-known film is Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975). Despite being categorised as such by others, Akerman frequently distanced herself from the feminist label, explaining, "when people say there is a feminist film language, it is like saying there is only one way for women to express themselves". Instead, Akerman acknowledged that her cinematic approach took inspiration from the writings of Gilles Deleuze and Felix Guattari, as well as from filmmakers Michael Snow and Jean-Luc Godard. Many directors have cited Akerman's directorial style as an influence on their work. Kelly Reichardt, Gus Van Sant, and Sofia Coppola have noted their exploration of filming in real time as a tribute to Akerman.
Release Date | Title | Character Name | Rating | Your Lists |
|---|---|---|---|---|
October 5th, 2024 | Chantal Akerman: Always on the Road | Self (archive footage) | 8 | |
January 23rd, 2024 | In Her Own Words | Self | TBD | |
November 13th, 2022 | Autour de La Folie Almayer | Self | TBD | |
July 2nd, 2021 | Morceaux de Cannes | TBD | 2 | |
May 1st, 2021 | Son chant | Self | TBD | |
January 14th, 2020 | Delphine and Carole | Self (archive footage) | 6.5 | |
July 27th, 2017 | Porto | (voice) | 5.6 | |
August 1st, 2016 | On Belonging | Self | TBD | |
March 1st, 2016 | But Elsewhere Is Always Better | Self | TBD | |
February 24th, 2016 | No Home Movie | Self | 6.5 | |
January 1st, 2016 | My Name is Chantal Akerman | Self | TBD | |
September 28th, 2015 | I Don't Belong Anywhere: The Cinema of Chantal Akerman | Self | 6.7 | |
January 1st, 2015 | What Lies Beneath the Sky | Narrator(voice) | TBD | |
November 4th, 2013 | Chantal Akerman | Self | TBD | |
September 6th, 2013 | What Is Cinema? | Self | 6.5 | |
March 12th, 2012 | My Mother Laughs Prelude | Self | TBD | |
March 25th, 2011 | Guest | Self | 6 | |
October 15th, 2010 | Chantal Akerman, From Here | Self | 5.7 | |
August 5th, 2010 | Sodankylä Forever | Self | TBD | |
December 5th, 2009 | Maniac Summer | Self | TBD | |
October 10th, 2009 | The Art of Time | Self | TBD | |
January 1st, 2007 | Interview with Babette Mangolte | Self | TBD | |
January 1st, 2007 | Interview with Aurore Clément | Self | TBD | |
January 1st, 2007 | Interview with my mother, Natalia Akerman | Self | TBD | |
February 15th, 2006 | Down There | Self (voice) | 5.4 | |
January 1st, 2004 | Making of Tomorrow We Move | self | TBD | |
June 4th, 2003 | From the Other Side | Self (Narrator - Interviewer) | 7 | |
August 6th, 1997 | Birth of a Nation | Self | 7 | |
February 19th, 1997 | Chantal Akerman by Chantal Akerman | Self | 6.6 | |
January 1st, 1997 | The Day When... | Self | 7 | |
April 25th, 1990 | Pictures of Europe | Self | TBD | |
July 7th, 1989 | One Day Pina Asked... | Self (uncredited) | 5.8 | |
February 11th, 1989 | The Ministries of Art | Self | 7.3 | |
September 8th, 1988 | Calling the Shots | Self | 9 | |
January 1st, 1987 | L'inhumaine | - | TBD | |
April 19th, 1986 | Seven Women, Seven Sins | Film Director (segment Portrait d'une Paresseuse) | 5.5 | |
April 19th, 1986 | Portrait of a Lazy Woman | TBD | 6.3 | |
March 24th, 1986 | Mallet-Stevens Street | TBD | 7.5 | |
October 9th, 1985 | She Spent So Many Hours Under the Sun Lamps | TBD | 7.3 | |
November 21st, 1984 | Family Business | Self | 7.3 | |
November 19th, 1984 | Letter from a Filmmaker: Chantal Akerman | Self | 7.3 | |
January 1st, 1984 | De droomproducenten | Self | 10 | |
November 15th, 1983 | The Man with the Suitcase | The Woman | 6.3 | |
August 25th, 1980 | Tell Me | Self | 6 | |
May 20th, 1977 | News from Home | Narrator (voice) | 7 | |
January 21st, 1976 | Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles | Neighbor (voice) (uncredited) | 7.4 | |
January 1st, 1976 | Chantal Akerman: An Interview | Chantal Akerman | TBD | |
January 1st, 1975 | Autour de Jeanne Dielman | Self | 6 | |
November 19th, 1974 | Je Tu Il Elle | Julie | 6.5 | |
November 5th, 1974 | ‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen | TBD | 7.8 | |
January 1st, 1972 | La chambre | Self - On her bed | 5.4 | |
January 1st, 1971 | The Beloved Child, or I Play at Being a Married Woman | Herself (uncredited) | 6.6 | |
January 1st, 1970 | Untitled | TBD | TBD | |
April 9th, 1968 | Saute ma ville | The girl | 6.3 | |
July 1st, 1967 | Knokke: une petite fiction 2 | Self | 5.5 | |
June 1st, 1967 | Examen d'entrée INSAS | TBD | TBD |