credits of
Harry Horner (July 24, 1910 - December 5, 1994) was an Austrian art director who made a successful career in Hollywood. He was born in the town of Holitz, which now belongs to the Czech Republic, to German speaking parents in Bohemia. He began his career working with Max Reinhardt in Vienna. When Reinhardt moved to the United States in the early 1930s, Horner went along with him. During World War II, he served as production designer and set designer for the U.S. Army Air Forces show Winged Victory. He won an Oscar in 1949 for his work on William Wyler's The Heiress and another in 1961 for Robert Rossen's drama The Hustler. One of his first notable successes was George Cukor's A Double Life (1947) and he soon found himself up on the Oscar podium in 1949 for his work on William Wyler's The Heiress. He worked with Cukor again in 1950 on Born Yesterday and then tried his hand at directing on several TV series, including Gunsmoke. He was nominated for a third time in 1969 for Sydney Pollack's 30s drama They Shoot Horses, Don't They . Horner directed a few films beginning with Red Planet Mars and Beware, My Lovely both in 1952. He retired after completing the Neil Diamond remake of The Jazz Singer in 1980. He died of pneumonia in 1994 in Pacific Palisades, California, aged 84. Description above from the Wikipedia article Harry Horner, licensed under CC-BY-SA,full list of contributors on Wikipedia.
Release Date | Title | Job | Rating | Your Lists |
|---|---|---|---|---|
December 17th, 1980 | The Jazz Singer | Production Design | 5.9 | |
May 13th, 1979 | Strangers: The Story of a Mother and Daughter | Production Design | 9.4 | |
December 22nd, 1978 | Moment by Moment | Production Design | 3.6 | |
June 8th, 1978 | The Driver | Production Design | 7.2 | |
April 6th, 1977 | Audrey Rose | Production Design | 5.7 | |
June 17th, 1976 | Harry and Walter Go to New York | Production Design | 5.7 | |
December 25th, 1975 | The Black Bird | Production Design | 5 | |
December 21st, 1972 | Up the Sandbox | Production Design | 5.9 | |
June 15th, 1971 | Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me? | Production Design | 4.8 | |
December 10th, 1969 | They Shoot Horses, Don't They? | Production Design | 7.6 | |
September 25th, 1961 | The Hustler | Production Design | 7.7 | |
October 21st, 1959 | The Wonderful Country | Production Design | 6.1 | |
December 18th, 1958 | Separate Tables | Production Design | 7 | |
December 1st, 1952 | Androcles and the Lion | Production Design | 5.9 | |
June 20th, 1951 | He Ran All the Way | Production Design | 7.2 | |
December 26th, 1950 | Born Yesterday | Production Design | 7.3 | |
September 27th, 1950 | Outrage | Production Design | 6.6 | |
June 23rd, 1950 | Tarzan and the Slave Girl | Production Design | 5.6 | |
October 6th, 1949 | The Heiress | Art Direction | 7.8 | |
October 6th, 1949 | The Heiress | Production Design | 7.8 | |
December 25th, 1947 | A Double Life | Production Design | 6.4 | |
June 24th, 1943 | Stage Door Canteen | Production Design | 6.3 |