credits of

Narcisa Hirsch (née Heuser, born 1928) is an Argentine experimental filmmaker of German birth. Her work centered on themes of the body, love, sex, death, movement, and the female gaze. Despite this focus on women, she has resisted being labeled as a feminist. She began as a painter, and but her later and better known work centers on performance and film, though she has also written several books. She cites Salvador Dalí and Luis Buñuel as influences to her experimental film work, as well as the Bauhaus artists of Germany. During her time as an experimental filmmaker in Argentina, she frequented the Di Tella Institute and the Goethe Institute, a place where many of her works premiered. Recenlty, her work has been honored through several retrospectives at international film festivals, though it was relatively unknown outside of exclusive circles when it first premiered. Description above from the Wikipedia article Narcisa Hirsch, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Release Date | Title | Character Name | Rating | Your Lists |
|---|---|---|---|---|
November 11th, 2023 | El refugio de Narcisa Heuser | Narcisa Hirsch | TBD | |
December 1st, 2022 | Herbaria | Self | 9 | |
January 1st, 2015 | time/ OUT OF JOINT | Herself | TBD | |
November 2nd, 2014 | Reflejo Narcisa | Main | TBD | |
November 1st, 2014 | Narcisa | TBD | 6 | |
January 1st, 2013 | Butoh | TBD | 1 | |
January 1st, 2011 | El Mito de Narciso | TBD | 5 | |
January 1st, 2005 | El Aleph | Narrator (voice) | 6.6 | |
January 1st, 1972 | Muñecos (Have a baby) | TBD | TBD | |
January 1st, 1970 | Tambores en la plaza | TBD | TBD | |
October 30th, 1967 | Marabunta | TBD | 6 | |
January 1st, 1967 | Yo veo conejos | TBD | TBD | |
December 31st, 1966 | Apples | TBD | TBD | |
TBD | Pradera | TBD | TBD |