credits of
From Wikipedia, the free encyclopedia Eugen Schüfftan (21 July 1893, Breslau, Silesia, Germany, now Wroclaw, Poland – 6 September 1977, New York City) was a German Jewish cinematographer. He invented the Schüfftan process, a special effects technique that employed mirrors to insert actors into miniature sets. One of the first uses of the process was for Metropolis (1927), directed by Fritz Lang. The technique was widely used throughout the first half of the 20th century until it was supplanted by the travelling matte and bluescreen techniques. Schüfftan won the 1962 Academy Award for Best Cinematography, Black-and-White for his work on the film The Hustler.
Release Date | Title | Job | Rating | Your Lists |
|---|---|---|---|---|
August 30th, 1966 | Chappaqua | Camera Operator | 6.3 | |
June 9th, 1966 | The Doctor Speaks Out | Director of Photography | 5 | |
November 10th, 1965 | Three Rooms in Manhattan | Director of Photography | 6.1 | |
October 28th, 1964 | The Big Scare | Director of Photography | 5.8 | |
October 1st, 1964 | Lilith | Director of Photography | 6.4 | |
May 22nd, 1963 | The Virgins | Director of Photography | 4.8 | |
December 23rd, 1961 | Something Wild | Director of Photography | 6.2 | |
September 25th, 1961 | The Hustler | Director of Photography | 7.7 | |
January 11th, 1960 | Eyes Without a Face | Director of Photography | 7.6 | |
January 8th, 1960 | A Couple | Director of Photography | 3.5 | |
October 26th, 1959 | The Bloody Brood | Director of Photography | 4.9 | |
March 20th, 1959 | Head Against the Wall | Director of Photography | 6.8 | |
April 22nd, 1958 | The First Night | Director of Photography | 6.8 | |
November 11th, 1954 | A Parisian in Rome | Director of Photography | 8.3 | |
April 4th, 1953 | The Venus of Tivoli | Director of Photography | 7 | |
March 6th, 1953 | The Crimson Curtain | Director of Photography | 7.1 | |
March 6th, 1953 | Mina de Vanghel | Director of Photography | 9 | |
October 7th, 1952 | The Respectful Prostitute | Director of Photography | 5.3 | |
December 13th, 1950 | Gunman in the Streets | Director of Photography | 6.5 | |
January 2nd, 1948 | Women in the Night | Director of Photography | 4 | |
July 19th, 1946 | A Scandal in Paris | Director of Photography | 6.4 | |
November 23rd, 1945 | Club Havana | Director of Photography | 5.9 | |
October 26th, 1944 | Bluebeard | Director of Photography | 5.4 | |
July 14th, 1944 | Summer Storm | Director of Photography | 5.7 | |
June 10th, 1943 | Hitler's Madman | Director of Photography | 5.5 | |
March 22nd, 1940 | There's No Tomorrow | Director of Photography | 7.1 | |
January 29th, 1940 | The Emigrant | Director of Photography | 7 | |
November 27th, 1939 | María de la O | Director of Photography | 6.7 | |
September 23rd, 1938 | The Shanghai Drama | Director of Photography | 6.6 | |
May 17th, 1938 | Port of Shadows | Director of Photography | 7.4 | |
January 26th, 1938 | Hatred | Director of Photography | 7.4 | |
November 24th, 1937 | Forfaiture | Director of Photography | 6.6 | |
October 20th, 1937 | Bizarre, Bizarre | Director of Photography | 6.9 | |
June 23rd, 1937 | Yoshiwara | Director of Photography | 8.5 | |
April 13th, 1937 | Street of Shadows | Director of Photography | 6.9 | |
October 29th, 1936 | The Trouble with Money | Director of Photography | 6.5 | |
October 24th, 1936 | The Tender Enemy | Director of Photography | 6 | |
January 2nd, 1936 | The Invader | Director of Photography | 4 | |
October 5th, 1934 | The Slump Is Over | Director of Photography | 6.3 | |
February 3rd, 1934 | Le Scandale | Director of Photography | 7 | |
December 8th, 1933 | High and Low | Director of Photography | 5.7 | |
September 18th, 1933 | Invisible Opponent | Director of Photography | 6.5 | |
July 14th, 1933 | The Oil Sharks | Director of Photography | 9 | |
June 28th, 1932 | Queen of Atlantis | Director of Photography | 6.4 | |
June 9th, 1932 | The Mistress of Atlantis | Director of Photography | 5.1 | |
October 23rd, 1931 | I'd Rather Have Cod Liver Oil | Director of Photography | 8 | |
June 5th, 1931 | The Scoundrel | Director of Photography | 9 | |
April 2nd, 1931 | Popular Tune | Director of Photography | 8 | |
November 10th, 1930 | The Stolen Face | Director of Photography | 7.5 | |
August 25th, 1930 | Farewell | Director of Photography | 7 | |
February 4th, 1930 | People on Sunday | Director of Photography | 7.2 | |
January 1st, 1929 | Jagd auf dich | Director of Photography | 8 | |
February 15th, 1926 | Manon Lescaut | Additional Photography | 5.9 |