credits of

Olivier Assayas (French: [ɔlivje asajas]; born 25 January 1955) is a French film director, screenwriter and film critic. Assayas is known for his eclectic filmography, consisting of slow-burning period pieces, psychological thrillers, neo-noirs, and comedies. He has directed French, Spanish, and English-language films with international casts. The son of filmmaker Jacques Rémy, Assayas began his career as a critic for Cahiers du Cinéma. There he wrote about world cinema and its film auteurs, who later influenced his work. Assayas made several short films, and made his feature debut with Disorder in 1986. He continued directing feature films, with Cold Water (1994) considered a breakthrough film in his career. It was his first film to screen at the Cannes Film Festival in the Un Certain Regard section. His followup film, Irma Vep (1996), also screened at Cannes, while Sentimental Destinies (2000), Demonlover (2002), and Clean (2004) all officially competed for the Palme d'Or. In 2006, he contributed a short film to the anthology film Paris, je t'aime (2006). Assayas gained acclaim for his dramas Summer Hours (2008), Clouds of Sils Maria (2014), and Personal Shopper (2016); the latter won him the Cannes Film Festival Award for Best Director. He also directed the comedy Non-Fiction (2018) and the spy thriller Wasp Network (2019). Description above from the Wikipedia article Olivier Assayas, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Release Date | Title | Character Name | Rating | Your Lists |
|---|---|---|---|---|
September 4th, 2024 | Jean-Pierre Léaud: The Child of Cinema | Self - Filmmaker | 7.7 | |
June 19th, 2024 | Suspended Time | Narrator (voice) (uncredited) | 5 | |
October 5th, 2023 | Room 999 | Self | 5.6 | |
May 1st, 2023 | Art-House America: Austin Film Society | Self | TBD | |
March 23rd, 2023 | Lars Eidinger – To Be or Not To Be | Self | 7.8 | |
October 17th, 2021 | The Cinematograph: Birth of an Art | Self - Filmmaker | 7.2 | |
May 5th, 2021 | Corona Film Club | Self | 5 | |
December 31st, 2019 | Gérard Blain : adultes, je vous hais | Self - director, critique | TBD | |
May 27th, 2019 | SY NYC 12/12/01: The Demonlover Sessions | Self | 10 | |
April 3rd, 2019 | André Téchiné: A Passion for Cinema | Self - Filmmaker | 7 | |
July 12th, 2018 | Searching for Ingmar Bergman | Self - Filmmaker | 5.9 | |
November 10th, 2017 | Aware, Anywhere | Himself | 8.5 | |
November 15th, 2016 | Luchino Visconti: Between Truth and Passion | Self - Movie Director | 1 | |
May 12th, 2016 | Truffaut / Godard, scénario d'une rupture | Self | 7.5 | |
September 5th, 2015 | Hitchcock/Truffaut | Self | 7.2 | |
October 1st, 2014 | Flowers of Taipei: Taiwan New Cinema | Self | 7.2 | |
April 6th, 2013 | Professor Goudet's Lessons | Self | TBD | |
May 16th, 2012 | A Special Day | Self | 6 | |
September 9th, 2011 | Il était une fois... « La règle du jeu » | Self (cinéaste) | TBD | |
May 12th, 2010 | … But Film Is My Mistress | Self | 6.3 | |
January 1st, 2008 | Inventory | Interviewee | TBD | |
August 30th, 2007 | In the Mood for Doyle | Himself | 4 | |
September 9th, 2003 | Making of 'Demonlover' | Self | 7 | |
May 14th, 1993 | François Truffaut: Stolen Portraits | Self | 5.6 |