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Bong Joon-ho (Korean: 봉준호, Korean pronunciation:[poːŋ tɕuːnho → poːŋdʑunɦo]; born September 14, 1969) is a South Korean filmmaker. The recipient of three Academy Awards, his work is characterised by emphasis on social and class themes, genre-mixing, dark comedy, and sudden tone shifts. He first became known to audiences and achieved a cult following with his directorial debut film, the black comedy Barking Dogs Never Bite (2000), before achieving both critical and commercial success with his subsequent films: the crime thriller Memories of Murder (2003), the monster film The Host (2006), the science fiction action film Snowpiercer (2013), which served as Bong's English language debut, and the acclaimed black comedy thriller Parasite (2019), all of which are among the highest-grossing films in South Korea, with Parasite also being the highest-grossing South Korean film in history. All of Bong's films have been South Korean productions. However, Snowpiercer, Okja (2017) and Mickey 17 (2025) are Hollywood co-productions with significant use of the English language. Two of his films have been screened in competitions at the Cannes Film Festival — Okja in 2017 and Parasite in 2019; the latter earned the Palme d'Or, the first for a South Korean film. Considered an immediate favourite by the Academy Awards, Parasite became the first South Korean film to receive Academy Award nominations, with Bong winning Best Picture, Best Director, and Best Original Screenplay, making Parasite the first film in the award's history not in English to win Best Picture. In 2017, Bong was included on Metacritic's list of the 25 best film directors of the 21st century. In 2020, Bong was included in Time's annual list of 100 Most Influential People and Bloomberg 50. Description above from the Wikipedia article Bong Joon-ho, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Release Date | Title | Character Name | Rating | Your Lists |
|---|---|---|---|---|
February 19th, 2026 | Mr. Kim Goes to the Cinema | Self | TBD | |
August 27th, 2025 | Incoherence | Paperboy's Brother | 6.3 | |
May 17th, 2025 | The Legend of the Palme d’Or Continues | Self | TBD | |
October 6th, 2023 | Yellow Door: '90s Lo-fi Film Club | Self | 6.9 | |
December 10th, 2022 | Kultur-King Korea | TBD | TBD | |
October 28th, 2021 | 보는 것을 사랑한다 | TBD | TBD | |
June 1st, 2020 | Making Parasite | Self | TBD | |
July 11th, 2018 | Memories | Self | 6 | |
October 17th, 2017 | The Clouzot Scandal | Self | 6.5 | |
October 29th, 2015 | Searching for Bong | Self | 7 | |
May 1st, 2014 | Understanding Movies | Self | TBD | |
April 2nd, 2014 | Snowpiercer: Transperceneige, From the Blank Page to the Black Screen | Self | 5 | |
November 9th, 2013 | Where is my DVD? | Self | 9.5 | |
December 6th, 2012 | Ari Ari the Korean Cinema | Self | 5.5 | |
October 1st, 2012 | Tony Rayns, the Not-So-Distant Observer | Self | 8 | |
April 11th, 2012 | Doomsday Book | Lee Joon-ho | 6.2 | |
April 5th, 2012 | A Brave New World | Lee Joon-ho | TBD | |
May 13th, 2011 | Kurosawa's Way | Self | 5.8 | |
July 20th, 2010 | Mother, Son and Murder: The Making of Mother | Self | 8.5 | |
May 20th, 2009 | Can I Borrow a Light? | Guitar Man | 6 | |
October 16th, 2008 | Crush and Blush | English teacher | 6.3 | |
May 18th, 2008 | 40 x 15: The Forty Years of the Directors' Fortnight | Self | TBD | |
August 9th, 2005 | Making Memories of Murder | Self | TBD | |
TBD | The Host : Histoires de famille | Bong Joon-ho | TBD | |
January 21st, 2007 | Two Or Three Things I Know About Kim Ki-young | Self | TBD | |
February 28th, 2002 | No Blood No Tears | Officer | 6.1 |