credits of

Paolo Heusch (26 February 1924 – 16 October 1982) was an Italian film director and screenwriter. Born in Rome, Heush started his career immediately after the World War II as a script supervisor. Between 1949 and 1957 he was active as an assistant director for over twenty films. After directing a number of documentaries, he made his feature film debut in 1958 with The Day the Sky Exploded, the first science fiction film produced in Italy. His third film as a director was Werewolf in a Girls' Dormitory. He was then asked to co-direct Violent Life. based on Pier Paolo Pasolini's novel of the same name. He was hired by producer Moris Ergas to direct the film with Brunello Rondi as the produced wanted a technically gifted director to help the screenwriter direct his first film. Heusch was often brought on to co-direct films, and works that were credited to other filmmakers, such as The Commandant, Che fine ha fatto Toto baby? which is only credited to Ottavio Alessi and Toto d'Arabia which is credited to Jose Antonio de la Loma. Heusch continued to work in other genres including heist films, adventures, and erotic dramas in the 1960s. Heusch's last uncredited work was shooting some extra scenes for Massimo Dallamano's Venus in Furs for its 1975 re-release.
Release Date | Title | Job | Rating | Your Lists |
|---|---|---|---|---|
December 25th, 1973 | Pulcinella - Ieri e oggi | Director | TBD | |
December 29th, 1970 | Bali | Director | 4.2 | |
January 1st, 1968 | Bloody Che Contra | Director | 7.8 | |
August 12th, 1966 | Un colpo da mille miliardi | Director | 9 | |
December 24th, 1965 | The Desert Renegades | Director | 9 | |
December 23rd, 1963 | The Commandant | Director | 6.9 | |
March 29th, 1962 | Violent Life | Director | 7.2 | |
November 9th, 1961 | Werewolf in a Girls' Dormitory | Director | 5 | |
April 24th, 1959 | Un uomo facile | Director | 9 | |
September 4th, 1958 | The Day the Sky Exploded | Director | 4.3 | |
December 20th, 1957 | Holiday Island | First Assistant Director | 6.3 | |
March 21st, 1957 | The Most Wonderful Moment | First Assistant Director | 6 | |
December 21st, 1955 | Roman Tales | First Assistant Director | 6.1 | |
November 17th, 1955 | Il padrone sono me | First Assistant Director | 7 | |
February 9th, 1955 | The Young Ladies of 04 | First Assistant Director | 6.3 | |
December 16th, 1954 | The Two Orphans | First Assistant Director | 8 | |
August 20th, 1954 | Passionately | First Assistant Director | 7 | |
January 28th, 1954 | A Day in Court | Second Assistant Director | 6.3 | |
December 9th, 1953 | I Always Loved You | First Assistant Director | 7 | |
April 1st, 1953 | Siamo tutti inquilini | Second Assistant Director | 6.3 | |
February 18th, 1953 | Perdonami! | First Assistant Director | 5.5 | |
December 30th, 1952 | Sunday Heroes | First Assistant Director | 6.4 | |
December 20th, 1951 | Anna | First Assistant Director | 7.3 | |
December 9th, 1951 | Il microfono è vostro | First Assistant Director | 10 | |
October 17th, 1950 | The Promise | First Assistant Director | 6 | |
September 26th, 1950 | The White Line | Script Supervisor | 6.1 | |
December 16th, 1949 | The Emperor of Capri | First Assistant Director | 6.6 | |
October 21st, 1949 | Sicilian Uprising | First Assistant Director | 9 | |
September 28th, 1949 | The Mill on the Po | Script Supervisor | 5.9 | |
September 16th, 1949 | Campane a martello | Script Supervisor | 6.3 | |
October 7th, 1948 | Under the Sun of Rome | Script Supervisor | 7.1 | |
August 1st, 1948 | Escape to France | Script Supervisor | 7.2 |