credits of

Samuel Michael Fuller (August 12, 1912 – October 30, 1997) was an American screenwriter, novelist and film director known for low-budget genre movies with controversial themes. He was born Samuel Michael Fuller in Worcester, Massachusetts, the son of Benjamin Rabinovitch, a Jewish immigrant from Russia, and Rebecca Baum, a Jewish immigrant from Poland. After immigrating to America, the family's surname was changed from Rabinovitch to "Fuller" possibly by inspiration of a Doctor who arrived in America on the Mayflower. At the age of 12, he began working in journalism as a newspaper copyboy. He became a crime reporter in New York City at age 17, working for the New York Evening Graphic. He broke the story of Jeanne Eagels' death. He wrote pulp novels and screenplays from the mid-1930s onwards. Fuller also became a screenplay ghostwriter but would never tell interviewers which screenplays that he ghost-wrote explaining "that's what a ghost writer is for". During World War II, Fuller joined the United States Army infantry. He was assigned to the 16th Infantry Regiment, 1st Infantry Division, and saw heavy fighting. He was involved in landings in Africa, Sicily, and Normandy and also saw action in Belgium and Czechoslovakia. In 1945 he was present at the liberation of the German concentration camp at Falkenau and shot 16 mm footage which was used later in the documentary Falkenau: The Impossible. For his service, he was awarded the Bronze Star, the Silver Star, and the Purple Heart. Fuller used his wartime experiences as material in his films, especially in The Big Red One (1980), a nickname of the 1st Infantry Division. After his controversial film "White Dog" was shelved by Paramount pictures, Fuller moved to France, and never directed another American film. Fuller eventually returned to America. He died of natural causes in his California home. In November 1997, the Directors Guild held a three hour memorial in his honor, hosted by Curtis Hanson, his long time friend and co-writer on White Dog. He was survived by his wife Christa and daughter Samantha.
Release Date | Title | Character Name | Rating | Your Lists |
|---|---|---|---|---|
October 23rd, 2025 | Films to Die For | (archive footage) (uncredited) | TBD | |
August 28th, 2013 | A Fuller Life | Self | 6.6 | |
January 1st, 2012 | Scene Missing | Self | 6.3 | |
April 14th, 2011 | Nuits transparentes | TBD | TBD | |
August 5th, 2010 | Sodankylä Forever | Self | TBD | |
July 12th, 2009 | Carmel | TBD | 7 | |
September 15th, 2006 | Filmmakers in Action | Self (archive footage) | 7.2 | |
May 3rd, 2005 | The Big Red One: The Reconstruction | War Correspondent (uncredited) | 8.4 | |
May 3rd, 2005 | The Real Glory: Reconstructing 'The Big Red One' | Himself (archive footage) | 7 | |
August 15th, 2003 | Necro not(to b)e | Sé stesso | TBD | |
July 2nd, 2002 | The Men Who Made the Movies: Samuel Fuller | Self | 5.8 | |
September 12th, 1997 | The End of Violence | Louis | 5.4 | |
June 28th, 1996 | The Typewriter, the Rifle & the Movie Camera | Self | 7.2 | |
September 27th, 1994 | Somebody to Love | Sam Silverman | 5.2 | |
March 25th, 1994 | Tigrero: A Film That Was Never Made | Self | 6.8 | |
January 1st, 1994 | Un Américain en Normandie | Himself | TBD | |
September 6th, 1993 | Anything for John | Self | 7.3 | |
January 1st, 1993 | Golem: The Petrified Garden | Sam | 5.2 | |
September 24th, 1992 | Golem, the Spirit of Exile | Elimelek | 5 | |
February 27th, 1992 | La Vie de Bohème | Gassot | 7.5 | |
January 1st, 1992 | Where Is Musette? | Self | 10 | |
January 1st, 1992 | Shock Corridor | himself | TBD | |
September 1st, 1990 | The Madonna and the Dragon | Chef de bureau Newsweek | 6.7 | |
April 25th, 1990 | Motion and Emotion: The Films of Wim Wenders | Self | 8 | |
January 1st, 1990 | Sons | Father | 6.3 | |
May 17th, 1989 | Street of No Return | Police Commissioner | 5.2 | |
January 9th, 1989 | Tell me Sam - Encounters with Sam Fuller | Himself | TBD | |
October 5th, 1988 | Falkenau, the Impossible | Samuel Fuller | 7.3 | |
September 8th, 1988 | Mer de Chine: Le pays pour mémoire | Le capitaine américain | TBD | |
November 13th, 1987 | Helsinki Napoli All Night Long | Boss | 5.9 | |
September 11th, 1987 | A Return to Salem's Lot | Van Meer | 5.9 | |
January 1st, 1987 | Midnight Sun Film Festival | TBD | TBD | |
January 1st, 1987 | The Bleeding Star | The Man in the Bar | TBD | |
August 13th, 1986 | Hooray For Holyrood | Self | TBD | |
January 1st, 1986 | A Travelling is a Moral Affair | Himself | TBD | |
January 1st, 1985 | Report from Hollywood | TBD | 7 | |
February 27th, 1984 | Thieves After Dark | Zoltan | 5.3 | |
February 4th, 1984 | Sam Fuller & the Big Red One | Self | 7 | |
December 9th, 1982 | Slapstick of Another Kind | Colonel Sharp | 3 | |
July 7th, 1982 | White Dog | Charlie Felton | 6.6 | |
June 9th, 1982 | Hammett | Old Man in Pool Hall | 6.2 | |
March 22nd, 1982 | The State of Things | Joe | 6.4 | |
January 1st, 1981 | Sam Fuller: Writings with a Camera | Himself | TBD | |
May 28th, 1980 | The Big Red One | War Correspondent (uncredited) | 6.7 | |
December 14th, 1979 | 1941 | Interceptor Commander | 5.8 | |
December 20th, 1978 | Cinématon | N°602 | 4.9 | |
June 24th, 1977 | The American Friend | The American | 7.1 | |
February 11th, 1977 | Scott Joplin | Impresario | 6.3 | |
March 1st, 1973 | The Young Nurses | Doc Haskell | 4 | |
September 29th, 1971 | The Last Movie | Sam | 5.8 | |
September 30th, 1967 | Cinéastes de notre temps : Samuel Fuller | Interviewee | TBD | |
December 17th, 1966 | Brigitte and Brigitte | Self | 6.3 | |
November 5th, 1965 | Pierrot le Fou | Samuel Fuller (uncredited) | 7.3 | |
July 1st, 1955 | House of Bamboo | Japanese policeman (uncredited) | 6.2 |