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From Wikipedia, the free encyclopedia Charles Lederer (December 31, 1906 – March 5, 1976) was an American screenwriter and film director. He was born into a prominent theatrical family in New York, and after his parents divorced, was raised in California by his aunt, Marion Davies, mistress to newspaper publisher William Randolf Hearst. A child prodigy, he entered college at age 13, but dropped out after a few years to work as a journalist with Hearst's newspapers. Lederer is recognized for his comic and acerbic adaptations and collaborative screenplays of the 1940s and early 1950s. His screenplays frequently delved into the corrosive influences of wealth and power. His comedy writing was considered among the best of the period, and he, along with writer friends Ben Hecht and Herman Mankiewicz, became major contributors to the film genre known as "screwball comedy". Among his notable screenplays which he wrote or co-wrote, were The Front Page (1931), the critically acclaimed His Girl Friday (1940), Gentlemen Prefer Blondes (1953), The Spirit of St. Louis (1957), Ocean's 11 (1960), and Mutiny on the Bounty (1962). With Ben Hecht, he co-wrote the original Kiss of Death which was to feature the actor Richard Widmark's chilling debut as the psychopathic killer with a giggle. In addition, he wrote and directed the 1959 film Never Steal Anything Small, an adaptation of a play by Maxwell Anderson and Rouben Mamoulian, starring James Cagney. The Spirit of St. Louis was Lederer's last significant film work. The films that followed that were primarily vehicles for established stars. In 1954, he won three Tony Awards for the Broadway Musical Kismet, as Best Producer (Musical), as Best Author (Musical) with Luther Davis, and as co-author of the book which, with several collaborators, contributed to the Best Musical win.
Release Date | Title | Job | Rating | Your Lists |
|---|---|---|---|---|
December 7th, 2001 | Ocean's Eleven | Original Film Writer | 7.5 | |
April 21st, 1995 | Kiss of Death | Original Film Writer | 5.7 | |
October 24th, 1967 | Kismet | Book | 7.3 | |
January 30th, 1964 | A Global Affair | Screenplay | 5.3 | |
November 8th, 1962 | Mutiny on the Bounty | Screenplay | 7.1 | |
April 11th, 1962 | Follow That Dream | Screenplay | 6.1 | |
August 10th, 1960 | Ocean's Eleven | Screenplay | 6.4 | |
March 9th, 1960 | Can-Can | Screenplay | 6.7 | |
August 19th, 1959 | It Started with a Kiss | Screenplay | 5.5 | |
February 11th, 1959 | Never Steal Anything Small | Writer | 8.2 | |
August 1st, 1958 | The Fiend Who Walked the West | Adaptation | 6.4 | |
September 6th, 1957 | Tip on a Dead Jockey | Screenplay | 6.6 | |
April 1st, 1957 | The Spirit of St. Louis | Adaptation | 6.7 | |
May 9th, 1956 | Gaby | Screenplay | 7.3 | |
October 8th, 1955 | Kismet | Screenplay | 5.6 | |
July 14th, 1953 | Gentlemen Prefer Blondes | Screenplay | 7.3 | |
September 3rd, 1952 | Monkey Business | Screenplay | 6.7 | |
August 15th, 1952 | Fearless Fagan | Screenplay | 5.2 | |
April 5th, 1951 | The Thing from Another World | Screenplay | 6.7 | |
March 31st, 1950 | Wabash Avenue | Screenplay | 5.3 | |
September 5th, 1949 | Red, Hot and Blue | Story | 6.2 | |
August 26th, 1949 | I Was a Male War Bride | Screenplay | 6.9 | |
November 12th, 1947 | Her Husband's Affairs | Writer | 5.4 | |
October 8th, 1947 | Ride the Pink Horse | Screenplay | 7.2 | |
August 27th, 1947 | Kiss of Death | Screenplay | 7.1 | |
April 1st, 1943 | Slightly Dangerous | Screenplay | 6 | |
February 26th, 1943 | The Youngest Profession | Screenplay | 5 | |
May 23rd, 1941 | Love Crazy | Screenplay | 6.8 | |
December 13th, 1940 | Comrade X | Screenplay | 6.1 | |
August 9th, 1940 | I Love You Again | Screenplay | 7.2 | |
January 18th, 1940 | His Girl Friday | Screenplay | 7.4 | |
April 7th, 1939 | Broadway Serenade | Screenplay | 6.6 | |
March 17th, 1939 | Within the Law | Screenplay | 6.5 | |
September 17th, 1937 | Double or Nothing | Screenplay | 6.7 | |
June 18th, 1937 | Mountain Music | Screenplay | 6 | |
January 23rd, 1932 | Cock of the Air | Writer | 7.7 | |
January 23rd, 1932 | Cock of the Air | Dialogue | 7.7 |