credits of

Edgar G. Ulmer

Edgar G. Ulmer

​From Wikipedia, the free encyclopedia.   Edgar Georg Ulmer (September 17, 1904 – September 30, 1972) was an Austrian-American film director. He is best remembered for the movies The Black Cat (1934) and Detour (1945). These stylish and eccentric works have achieved cult status, whereas Ulmer's other films remain relatively unknown. The first feature he directed in North America, Damaged Lives (1933), was a low-budget exploitation film exposing the horrors of venereal disease. His next film, The Black Cat (1934), starring Béla Lugosi and Boris Karloff, was made for a major studio, Universal Pictures. Demonstrating the striking visual style that would be Ulmer's hallmark, the film was Universal's biggest hit of the season. Ulmer, however, had begun an affair with Shirley Beatrice Kassler, who had been married since 1933 to independent producer Max Alexander, nephew of Universal studio head Carl Laemmle. Kassler's divorce in 1936 and her marriage to Ulmer later the same year led to his being exiled from the major Hollywood studios. Ulmer was relegated to making B movies at Poverty Row production houses. His wife, now Shirley Ulmer, acted as script supervisor on nearly all of these films, and she wrote the screenplays for several. Their daughter, Arianne, appeared as an extra in several of his films. Consigned to the fringes of the U.S. motion picture industry, Ulmer specialized first in "ethnic films," notably in Ukrainian—Natalka Poltavka (1937), Cossacks in Exile (1939)—and Yiddish—The Light Ahead (1939), Americaner Shadchen (1940). The best-known of these ethnic films is the Yiddish Green Fields (1937), co-directed with Jacob Ben-Ami. Ulmer eventually found a niche making melodramas on tiny budgets and with often unpromising scripts and actors for Producers Releasing Corporation (PRC), with Ulmer describing himself as "the Frank Capra of PRC". His PRC thriller Detour (1945) has won considerable acclaim as a prime example of low-budget film noir, and it was selected by the Library of Congress among the first group of 100 American films worthy of special preservation efforts. In 1947, Ulmer made Carnegie Hall with the help of conductor Fritz Reiner, godfather of the Ulmers' daughter, Arianné. The film features performances by many leading figures in classical music, including Reiner, Jascha Heifetz, Artur Rubinstein, Gregor Piatigorsky and Lily Pons. Ulmer did get a chance to direct two films with substantial budgets, The Strange Woman (1946) and Ruthless (1948). The former, featuring a strong performance by Hedy Lamarr, is regarded by critics as one of Ulmer's best. In 1951 he directed a low-budget science-fiction film with a noirish tone, The Man from Planet X. In 1964 he directed his last film, The Cavern, in Italy. Description above from the Wikipedia article Edgar G. Ulmer, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Release Date

Title

Job

Rating

Your Lists

May 5th, 1961

Journey Beneath the Desert

Set Designer

3.3

December 7th, 1952

Babes in Bagdad

Production Design

5.8

January 2nd, 1944

Minstrel Man

Production Design

5.5

June 10th, 1943

Hitler's Madman

Production Design

5.5

July 21st, 1939

Way Down South

Art Direction

6.4

June 1st, 1939

The Light Ahead

Production Design

6.8

May 7th, 1934

The Black Cat

Set Designer

6.7

February 9th, 1934

Queen Christina

Production Design

6.9

August 3rd, 1933

Kleiner Mann – was nun?

Set Designer

7

November 17th, 1932

Afraid to Talk

Art Direction

6.5

April 18th, 1931

The Secret Six

Production Design

5.6

January 12th, 1930

City Girl

Assistant Art Director

7.5

October 1st, 1929

Spiel um den Mann

Art Direction

9

June 29th, 1929

Flucht in die Fremdenlegion

Art Direction

9

October 3rd, 1928

4 Devils

Assistant Art Director

7.6

May 26th, 1928

The Street of Sin

Set Designer

8

March 22nd, 1928

Spies

Set Designer

7.3

November 4th, 1927

Sunrise: A Song of Two Humans

Assistant Art Director

7.8

January 10th, 1927

Metropolis

Set Designer

8.1

December 26th, 1925

Lady Windermere's Fan

Art Direction

6.8

March 1st, 1925

Joyless Street

Set Designer

6.7

December 23rd, 1924

The Last Laugh

Production Design

7.8

April 26th, 1924

Die Nibelungen: Kriemhild's Revenge

Set Designer

7.5

March 9th, 1924

The Saga of Gösta Berling

Set Designer

6.6

February 14th, 1924

Die Nibelungen: Siegfried

Set Designer

7.7

January 7th, 1924

The Finances of the Grand Duke

Production Design

6.7

July 1st, 1923

Merry-Go-Round

Art Direction

6.3

October 13th, 1922

Sodom and Gomorrah

Production Design

6.1

October 29th, 1920

The Golem: How He Came Into the World

Set Designer

7

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