credits of

Juan Bustillo Oro was a Mexican film director, screenwriter and producer, whose career spanned over 38 years.
Release Date | Title | Job | Rating | Your Lists |
|---|---|---|---|---|
April 17th, 1969 | When Children are Gone | Story | 6.8 | |
January 13th, 1966 | The Waltzes came from Vienna and the Children from Paris | Writer | 5.3 | |
July 16th, 1964 | Así amaron nuestros padres | Writer | 6 | |
May 14th, 1964 | Los amores de Marieta (los fabulosos 20s) | Screenplay | 6 | |
September 12th, 1963 | México de mis recuerdos | Writer | 6 | |
May 9th, 1957 | Every Child a Cross to Bear | Writer | 6.7 | |
June 25th, 1956 | Los hijos de Rancho Grande | Writer | 6.7 | |
February 2nd, 1956 | Arm in Arm Down the Street | Writer | 4.6 | |
October 26th, 1955 | La mujer ajena | Writer | 6.2 | |
August 23rd, 1955 | Padre contra hijo | Writer | 4.8 | |
June 22nd, 1955 | The Medallion of Crime | Writer | 6.7 | |
March 18th, 1955 | X Murderer | Writer | 5.4 | |
February 24th, 1954 | Return to Youth | Writer | 7.4 | |
January 1st, 1953 | Siete mujeres | Screenplay | 6.7 | |
August 16th, 1952 | Por ellas aunque mal paguen | Writer | 6.5 | |
March 6th, 1952 | La huella de unos labios | Writer | 6.2 | |
October 12th, 1951 | ¡Acá las Tortas! | Writer | 8 | |
February 8th, 1951 | Apartment house | Story | 6.3 | |
February 8th, 1951 | Apartment house | Screenplay | 6.3 | |
October 6th, 1950 | La loca de la casa | Writer | 6.3 | |
July 7th, 1950 | The Man Without a Face | Writer | 6.4 | |
March 1st, 1950 | Vino el remolino y nos alevantó | Writer | 6.8 | |
July 15th, 1949 | Las tandas del principal | Writer | 6.8 | |
April 16th, 1949 | El Colmillo de Buda | Writer | 5.3 | |
October 7th, 1948 | Las mañanitas | Writer | 5.4 | |
October 4th, 1945 | Canaima | Adaptation | 6.4 | |
August 10th, 1944 | Cuando quiere un mexicano | Screenplay | 6 | |
April 22nd, 1944 | El sombrero de tres picos | Writer | 6 | |
April 6th, 1944 | México de mis recuerdos | Screenplay | 6.7 | |
August 12th, 1942 | Dark Angel | Writer | 6.5 | |
March 11th, 1942 | El que tenga un amor | Writer | 6.6 | |
March 10th, 1942 | Mil estudiantes y una muchacha | Writer | 5.8 | |
July 30th, 1941 | When the Children are Gone | Writer | 6.3 | |
September 11th, 1940 | You’re Missing the Point | Writer | 8.1 | |
April 11th, 1940 | Al son de la marimba | Writer | 6.8 | |
April 4th, 1940 | In the Times of Don Porfirio | Writer | 6.3 | |
July 19th, 1939 | Caballo a caballo | Writer | 5.8 | |
April 28th, 1939 | Every Madman to His Specialty | Dialogue | 5.7 | |
April 28th, 1939 | Every Madman to His Specialty | Adaptation | 5.7 | |
April 28th, 1939 | Every Madman to His Specialty | Story | 5.7 | |
December 31st, 1938 | The Girls Aunt | Adaptation | 4.5 | |
September 17th, 1937 | Amapola Del Camino | Writer | 6.7 | |
August 5th, 1937 | La obligación de asesinar | Writer | 5.7 | |
July 23rd, 1937 | La honradez es un estorbo | Writer | 6.3 | |
July 8th, 1936 | Malditas sean las mujeres | Writer | 6.3 | |
March 11th, 1935 | Mystery of the Ghastly Face | Writer | 5 | |
November 28th, 1934 | Two Monks | Writer | 6.2 | |
June 26th, 1934 | The Phantom of the Monastery | Writer | 6.2 | |
April 5th, 1934 | El compadre Mendoza | Story | 6.7 | |
April 5th, 1934 | El compadre Mendoza | Screenplay | 6.7 | |
January 1st, 1933 | Tiburón | Writer | 6.8 |